Thursday, 30 June 2016

The Different Deference in Words, An Art of Good Speeches

SIMPLE WORDS THAT CAN MAKE A WORLD OF DIFFERENCE: THANK YOU, EXCUSE ME, PLEASE MAY I

There is a lot to spoken words, especially when deeply expressed. Positivism in our relationships often compels the use of proactive, soothing, pacifying expressions and words. Living in a company people who may or may not be related to us implies that we relate with them in diverse of ways. 

These contacts may be at home, in offices, churches and other public places. These people coming from varied social backgrounds need to be communicated with for us to achieve some milestones in our endeavours. Other times, they may need us as their benefactors, either way we become stepping stones or lever forming synergy for life survivals.

I would represent words in this context to mean brief comments, statements, talk or exchange used in relationships to achieve a purpose. Words like; thank you, excuse me, please may I, etc are very simple but inspirational statements. When expressed earnestly, they are received with gratitude, respectfully and sometimes reciprocated with similar gestures.  The efficacy of these words may be expressed in the words of Gregory Ciotti, “All words are equal but some are more equal than others”. These words hold sway almost all the time.

In our world today such words are sparingly overtly and sincerely used. Knowing how comforting, soothing and powerful these comments are, it is admonished that we revive the culture of their usage in our relationships.  A call for re-orientation is thus apt at this point to sensitize and educate our children in the primary and secondary schools on the need for frequent use of these words. 

What is Re-orientation?

Orientation is the process of being accustomed to new situations. Re-orientation can literally denote a renewal of orientation, meaning, a reminder of what is expected of one as a member of society. Some areas of our life that need re-orientation include respect for elders, environmental sanitation, attitude to work and economic life, religious practices, dressing, protection of public infrastructure, child upbringing including formal and informal education and proper use of words as used in this  context. 

“Thank you”

Thank you is often used to show gratitude in return for some good done to another. It’s a showing of appreciation, thankfulness and gratefulness. If this is so positive, why is it not often used as desired?  An attempt could be made at this point; some people think that some good deeds are “rights” and therefore should not be appreciated with a thank you, yet others, especially older people do not think it expedient to appreciate younger people with a thank you for whatever reason.

It is more worrisome that others probably were not fully brought up; so they do not think that some people should be appreciated for doing what they ought to do. Examples of such cases are; a driver washing his master’s car, a child being fed by her mother, a clerk running office errands, school fees paid by parents and guardians etc.  Genuine appreciation usually comes from the heart and the “body language” that conveys its exhibition authenticates how sincere it is.This therefore indicates that some appreciations are pretentious; this is a negation of the ideal.For expedient communal living, appreciation is advocated through simply saying thank you after receiving a favour or good deeds.

As simple as “Excuse me”

For some people this expression is not as simple as we may have presented it. Ideally however, it paves way to very difficult situations and gets one to unexpected positions and pieces of information. It is an etiquette/ politeness that uncover ways to some impossible circumstances. 

Excuse me can be used when one needs the attention of another for example: excuse me, may I speak with you; excuse me , could I have another glass of drink; excuse me, please what is your name etc. The courteousness of this statement most times receives an equal politeness. Children that exhibit these can only come from well-trained backgrounds. People who often use these words are also notably patient, it takes patience to wait for the attention of another.

“Please may I”

Please may I, is a courteous phrase often used in communication. It is often used when asking or requesting for something, for example please may I have your attention, please may I be excused, and please may I have some water etc. What rather is commonly heard is give me, let me have this or that. 

At this point one would observe that the tones of these two expressions are different – please may I is alluring and give me is harsh/ unappealing. "Please may I" is very rare expression amongst our people especially the teenagers and youths and the time has come for organized re-orientationsessions in schools , homes, youth programmes  and religious gatherings  where these groups of people should be taught good manners and ethics. Except this is done and complemented in the informal settings of the family, an unruly generation would besiege our communities.    



Why the Present Dearth of Courtesy in our Society and the Way Forward  

Several factors can be identified as responsible for the poor etiquette especially in the area of civility.

Poor parental upbringing: Parents are too busy to properly train their children in the right etiquette for daily living. The home is the first socialization environment of a child,here parents and adults are expected to guide and guard the younger ones on proper moral standards.  Children from God fearing homes with loving and caring parents are more likely to imbibe good etiquette than those who live in homes with tension and strife. 

In the latter, home aggression and mistreatment jeopardize the upbringing of children. Showering parental love on the other hand does not mean pandering to all the demands of the child, reasonable or otherwise. Too much pampering would in fact, spoil the child. The parents in bestowing love and care on the children should also be strict and firm, but not harsh. Parents should show love with a disciplined disposition while simultaneously imbibing positive morals in them. The practice of these simple words in the family by the parents would instill respect and courtesy in the children. 

Negative Peer influence: there is a high tendency for peers to influence themselves through “gang culture”.  For inclusiveness in a group, teenagers are compelled to behave alike with their peers, anything contrary from the ideal group behaviour results to exclusion. Not to be “odd man out” children are forced to conform. Children with strong family standards are less likely to fall prey of negative peer pressure, keeping away from negative influences and reading of good books are suggested for promoting good moral standards in children.  

Nonchalance/indifference: The negative attitude of nonchalance has gradually crept into the lifestyle of some individuals that things which ought to be treated with respect and honour are discountenanced with indifference. For instance, the indifference in attitude and insensitivity of people to others in terms of respect has led to the rare use of thank you, excuse me, and please may I.  Obvious cases can be related to children and some adults from wealthy homes who do not appreciate their household helps/ servants; some children also do not have regards for elders and peers.

Environmental influence /neighbourhood:  Apart from the family the next immediate environment that influences a child is the home neighbourhood. Children who grow up in unorganized vicinities with delinquents are not likely to neither imbibe these words nor use them.Care therefore must be made to study the environment before a child is allowed to play or make friends in the neighbourhood. This caution must also be made in the type of school a child is registered in. 


Wrong role models: children are quick to learn through imitation especially of older people and family members. Where the immediate models around do not use these words, it becomes impossible for younger people to learn, appreciate and use them.  Adults who know better should practice the use of these  words- thank you, excuse me, and please may I so that children can copy them for posterity.  

Pride/Arrogance:These are vices that are haughty and affect relationships and progress, pride they say goes before a fall. When an individual is egoistic and thinks more of himself than is desired because of privileges and circumstances around them, he feels bigger or better than others, thus lacking the humility to use these ethical expressions.

There is a clarion call to impact on our environment positively, to live and relate with people around us with decorum. 

             Conclusion

Soothing words are quite comforting and paves way for opportunities. A well groomed person who has imbibed the right etiquette is a pride to himself, his family and his community. 

Children as a matter of urgency must therefore be re-oriented to deliberately learn and use these words and to do the right things at home, in school and indeed everywhere. Adults are also admonished to be desirable role models for emulation, for the children we ignore to groom today will take their revenge on us tomorrow.


Mitchelle Chinwude Onugbolu 
SSA Social Re-Orientation 

A Short Story, "AMMIE & BECKY ": World's unlikely bestest Friends


Becky her little dog, is the finest curliest dog ever. Her beady eyes peeping through the furs like a pair of darkness in a warmth summer afternoon. And that’s all Ammie has for a comeliest companionship. She stood up hungry, looking into an imaginary mirror as if talking to the reader, and she said, “I am the world.”
Art by Little Miss Thembi Uche-Okeke


Ammie has no one to call her mum or dad. The poor little girl just woke up one day, somewhere, in a blind alley where cats meowed, bats squeaked and waifs roamed the nooks and crannies of that little world. How could she remember any other thing, when she can’t even remember her name again? Mr. Feckleson has some real skeleton in his haversack, and he’s the crook responsible for this separation from a beautiful family!


“I am the world”, she said again looking tall over her shoulders, with a little tiptoeing to lift her there. Becky waggled her tail, apparently saying the same magical words. She turned around and around, chasing her tail; and then tumbling over the old rusty crusty scanty newspapers they had for a blanket through the chilly lonely night.  Ammie giggled and scooped Becky up and pecked her with such a tender poise.  ‘Babie’ for that’s what Ammie calls Becky, peeked through her furs and ruffed something only her friend in the whole wide world understands.  


She nodded. Next they are on their way to downtown, to the circus to change their world’s view for the moment. There, they did Throwing and Catching sticks and this earned them some ice-creams, doughnut and a few cents from passersby.


A couple holding hands came along and were about to give a gift to a girl that has a semblance of their missing child and lo, what a happy reunion!



                Ositadimma Amakeze
             2015 NLNG Masterclass Workshop
                  On Children's' Literature.

An Art of Deeper Connection between Artists and their Creations.

There is always a deep connection between artists and their creations. It could be a memory kept alive or a recorded history of a time written, not by words, but through drawings, paintings, and so on. The original chronicles of the society we had lived, right from the age long and this present time is hidden within the artists and their art. The amazing side of it remains a universal language every one can speak, especially when seen.



Cliff Agba is a Jos-city based artist. A painter with a blend of realities and wild imaginations. Looking at one of his paintings he called "Loud whispers", one would be wondering what the piece is all about. The "what" in this piece is straightforward and at the same time  meditative. 


A portrait of a middle-aged woman, playfully holding ichaka- a traditional musical instrument in her hands and positions to be in slow motion. Within her face which was boldly focused on an unseen object unknown to no one, was depicted, maintaining a subtle look, as displayed by her eye lids which were half-closed and a bit smiling red lips. She was heavily decorated with a red chieftain beads on her neck and right wrist. And on the head, a noticeable tiny beads of the same colour, astride her hair, given her a gleaming beauty. Her vestiary is a combination of red-george-wrapper tied over the chest region, covering her breasts which is the symbol of motherhood and a white dazzling hand towel at the right side.


One can easily notice the painting and see a woman, though there are meanings revolving around this figure. Traced back to the past, women are special people, with differences but with a special goal. To balance life itself in our homes, families, communities, religions, at feasts and festivals, even in government and the entire society in which we are. A woman's smile is so deep from the inside and goes beyond reactions. A home is never tasty if it lacks a woman who is a mother and wife. The same influences the every day society.


The "How" in this art piece is unique. Using shades of mild grey colours, varying from turquoise and deep yellows whose intensity has been toned to create a visible halo impasto around the woman, the painter sends a message of virtue and dignity and the unending managerial nature of womanhood. Giving her this particular instrument is obvious. In many diverse ethnic groups, mostly seen, Igbos, yorubas,Benin,urhobo, efik, ibibio and many others, women use this instrument to back up their songs and lyrics. The arrangement of the beads around this very figure is quite interesting. The painter exhibited his skills masterfully, directing every eyes to the head down to the chest region of the figure, making it his centre of interest.


A closer observation on Cliff's works, what inspires him ranges from women and men, both young and old, children and the youths, festivals, market scenes and spirituality. He grew up in a society where norms and values were highly placed. Attributed to the painting "Loud Whispers", women have a sense of determination, mildness, powers, beautiful secrets and solutions. They are epitome of success and endurance. It was painted, reference to the every day woman in our society. The painter took notice of the life, travails, the unending role of motherhood and their relation with the peace, justice, success and endurance right from the home to the outside society. 

The work is indeed magnificent artistic impression.

Izuchukwu Cliff Agba

Sunday, 26 June 2016

"Lifted on High" - A Purely Inspirational Poetry by Mag. Eliseus Ezeuchenne




Lifted on High

Lifted on high is or should be the dreams of every living (creature) to be
Lifted on high from wherever and whatever to dream(s) world be noble and wise
Each creature longs for encounter or union in relation or call it experience
Call it mere desire for company and communion or longing or even feelings or emotions
Being lifted on high is planted in every heart and soul not by ancestors or fate, but divine
Lifted on high is unquenchable thirst and aspirations given by higher being for being
To be satisfied wherever and whenever hope and trust and love are born in Him.

Lifted on high is being conscious of whom one is and from where to where one goes
Knowing from where and to where in each life's moment is Wisdom and Truth
Having the desire to achieve excellent union with the others and higher Truth
Not only with self, but also with the entire creation and beyond to the Good
Being in control of self and the will to know limits and limitations is knowledge
Not only of self, but also of all within and beyond self and much more.
Lifted on high is and leads to visions, inspirations and aspirations for authentic life.

Lifted on high is to be in tandem with natural and divine laws for life of virtue
To fight against wicked foundations laid down by prince of lies and deceptions
Be they of higher beings or humans, to say no to injustice and lies is noblest
Lifted on high is the road to righteousness and justice and sharing virtue for life
Daily examining life's events to liberate captives of ages so long past for new life
Shaking to the very foundation of Will to let captives of ages set free for peace
Free to thoughts and to repay, and repair broken worlds to live for integral development.

So ashamed or crippled not to move higher and higher is blindness needing healing and cure
Not blinded by materials and peoples is sure gaze and movement to arriving at the Wisdom
Lifted high and meant to soar high and higher to fulfill self and others is joy in work
Lightening and linking generations past, present and many more to come in Truth and justice
It's nobler and nourishing the life-spring and rooting on true living ocean of life
Better done with courage deep-rooted in Virtues growing up higher and higher to the heavens
Than the destructive activities or inactivity of the wicked and companions of prince of lies.

 Lifted on high and given wisdom and will for difference and differentiation
To know and live life of humble service and constant renewal of union with the Eternal
To know the ends of creation so as to lead creation back to the creator the Almighty One
Lifted on high to privilege not given to proud arrogant unbridled craze for power and money
Not to the untamed with unchained base desires, but only to disciplined and responsible.
But you're lifted on high as to know and to have the keys and secrets to wisdom and Truth

Selected and sent to bring to the cold dark world Light and meaning, and desired Peace.


Mag. Eliseus Ezeuchenne

A glimpse into, “ THE MEDLEY OF THE MUSE” : In search of the symbiosis that exists between the two arts: photography and poetry.


A glimpse into, “MEDLEY OF THE MUSE”
                                    Mediation between Photography & Poetry
       

Helen Hayes says, it’s “Only the poet can look beyond the detail and see the whole picture.” In this forthcoming poetry collection, speeches are distilled and dished to the tone of Amit Kalantri’s, “a photograph shouldn’t be just a picture, it should be a philosophy.”
                    

“A picture is worth a thousand words”



                       Medley of The Muse is poetic, picturesque and philosophic.

                   In search of the symbiosis that exists between the two arts: photography and poetry






POEMS:

Supernatural Love

It was in the year Two Thousand and Seven
That eventful day, the day was brightly even
But when I emerged out of the art darkroom
The cloud which was lustrous went all gloom
I stared straight to the sky to seek the dazzle
But the sheen had been dampened by drizzle
That there was no light to cause an exposure
A phenomenon I considered an unfair seizure
With the printing mesh on one hand, I prayed
“God, I know I don’t have to, but I need an aid
Could you be a little emotional and give light,”
At once the sun pierced the shade to my delight
Through fleecy imageries of a heart and a dove
           That this peaceful poem is on supernatural love!          



As I see it
I can see a deer afloat flee
On a felled big Icheku tree
A bird on a head of a snake
And another twisting its neck
A hunched giant lizard and…
Through poetic wizard wand
I see a thousand speaks
As a headlong bat squeaks
There’s this strength to strive
An echo of physiology of life
As if writhing from its wounds
Such surreal sights and sounds
And I see a spider at the universe
Knitting in poise in God’s grace



Dead Bird

I’ll mourn you even if no one else cares to
Tho' I least expected to see you dead today
Or were you tired of tweeting and of flying?
Then, you should’ve gone in your nest to rest
Or even sing some sweet songs you had sung
Than just resting in peace here in an icy field!
Tho' you flew your course when you were alive
I’ve made this green bed and preened you myself
To help your helplessness in a poetic apotheosis;
Having thought awhile of your wonder in silence
‘Am now in no doubt this rite’s appropriately right
And I must engrave in my impromptu oration that,
"You were cutest far off companion l admired,
To eulogize a few and to say adieu dead bird!”



Ọnọnugwu!

This is not a joke at all
To speak to you Ọnọnugwu
One has to climb a hill
To reach your heel
Yet far away from your tail

From the valley’s depth your eyes
Like two black lights oversee
The baldness of Kilimanjaro
You, who climbs the Iroko tree,
Still standing on the ground

You touch the moon at nightfall
And the sun in the afternoon
With your head and then bend
Lest you crash your forehead
On the beams of the cloud

Ọnọnugwu, Ọnọnugwu!
How many times did I call you?
You, who bestrides the river Nile
And see the boundaries
Of nations far and near

Gentle wild with serene strides
That the earth may not yet split
Indeed, this is not a joke at all!
Ọnọnugwu na-enyo mmiri
Oh Graceful giraffe I hail you! 

Ọnọnugwu, Igbo language, contracted form of (Ọ nọ n’ugwu na-enyo mmiri)
lit. One who stands on a mountain overlooking a river.
Onomatopoeic for Giraffe in Igbo language.











A Kiss from Sahara
Behold, beauty they say
Is in the eyes of the beholder
As I look over my shoulder
I see you in that way

Beneath the keffiyeh I see
A terrific person and not terror
An honourable one and not horror
This is you, please let it be

Your beards are hotter
Than the desert sand in the sun
They flow like water from an urn
As through this land we saunter

Thus, I send you a Saharan kiss
With dreamy eyes and blushful nose
Let no odium keep you in the noose
Or opium secludes you from bliss!

*Keffiyeh is the traditional Palestinian scarf, a symbol of nationalism, also known as Kufiya, or Hatta. It is mostly chequered black and white, red and white etc. 







Agụ Iyi
The dried meat that fills the mouth
A dwarf that is taller than a giraffe
Atakataagbọọ that scatters
All inhabitants of the rivers

Agụ, your silence is grievous
And your actions are vicious
You, who crawls lazily to hasten death
With your barbed tail and shaft teeth

In a single swoop you swallow an antelope
A monster whose exploit knows no scope
If you eat your own egg when you’re hungry
What would you not do when you’re angry?

So I wonder as I ponder if you ever smile
Stone-bumped crocodile, the king reptile
A gentle beast whose quietness is virulent
Ọnyikọdọrọ, you are truly truculent!

* Atakataagbọọ - Onomatopoeic, Igbo, lit., (Edible, but one that cannot be eaten.)
* Ọnyikọdọrọ- Onomatopoeic, Igbo, lit., (One too heavy to be lifted!)






Tongues of Fire

You’re a friend and a foe
Who woos and even woes
The things you own or owe
With uncanny dues


Oh crimson fiery fire!





The Pelican

If you were to write on the above photo, what poem would you write?




All pictures are mine, shot with Samsung Galaxy Note3 except Tongues of Fire which was taken with a mini HD Camera.



Thursday, 9 June 2016

A Most Motivational Poetry: Boys Of Spirit, Boys of Will


BOYS WANTED

Boys of spirit, boys of will,
Boys of muscle, brain and power,
Fit to cope with anything,
These are wanted every hour.


Not the weak and whining drones,
Who all troubles magnify;
Not the watchword of “I can’t,”
But the nobler one, “I’ll try.”


Do whate’er you have to do
With a true and earnest zeal;
Bend your sinews to the taswk,
“Put your shoulders to the wheel.”


Though your duty may be hard,
Look not on it as an ill;
If it be an honest task,
Do it with an honest will.


In the workshop, on the farm,
At the desk, where’er you be,
From your future efforts, boys,
Comes a nation’s destiny.


- Tommy's first speaker for little boys and girls.
by Thomas W. Handford


http://www.artofmanliness.com/2008/11/16/manvotional-boys-wanted/

Saturday, 4 June 2016

Phenomenal MUHAMMAD ALI, THE GREATEST OF ALL TIME


Muhammad Ali, the three-time heavyweight champion who proclaimed himself “the Greatest”, defied the US government over the Vietnam war, "“Man, I ain’t got no quarrel with them Vietcong.” and later became one of the most well-known – and loved – sportsmen in history has died. He was 74.

Ali died late on Friday at a hospital in Phoenix, Arizona, the family’s spokesperson Bob Gunnell said. His funeral will take place in his home town of Louisville, Kentucky.

As a sportsman he will be remembered for many classic fights – in particular beating the fearsome Sonny Liston to become champion; the Fight of the Century and the Thrilla in Manilla against Joe Frazier, and the Rumble in the Jungle in 1974 when, at the age of 32, he surprised everyone bar himself by cutting down George Foreman in Kinshasa to regain back his title.

TRIBUTES:
Former world heavyweight champion, Mike Tyson, wrote: “God came for his champion. So long great one.”

Foreman wrote: “Ali, Fraser and Foreman we were one guy. A part of me slipped away.”

Former US president Bill Clinton described him as “courageous in the ring, inspiring to the young, compassionate to those in need, and strong and good-humoured in bearing the burden of his own health challenges”.


ALI'S QUOTES:

Selecting the best quotes from the millions of words Ali uttered at lightning speed during his career is a challenge, but here are some of the best known, along with a few that are less well remembered.

On boxing


I’m not the greatest. I’m the double greatest. Not only do I knock ‘em out, I pick the round. I’m the boldest, the prettiest, the most superior, most scientific, most skillfullest fighter in the ring today.”

It’s hard to be humble when you’re as great as I am.”
He even penned a poem before taking on Sonny Liston in 1964:

...now Clay swings with a right, what a beautiful swing
And raises the bear straight out of the ring;
Liston is rising and the ref wears a frown
For he can’t start counting ‘til Liston comes down;
Now Liston disappears from view, the crowd is getting frantic
But our radar stations have picked him up somewhere over the Atlantic;
Who would have thought when they came to the fight
That they’d witness the launching of a human satellite?
Yes the crowd did not dream when they laid down their money
That they would see a total eclipse of the Sonny.”
A 1967 quote reproduced in Hunter S Thompson’s 1978 Rolling Stone feature:

When I’m gone, boxing will be nothing again. The fans with the cigars and the hats turned down’ll be there, but no more housewives and little men in the street and foreign presidents. It’s goin’ to be back to the fighter who comes to town, smells a flower, visits a hospital, blows a horn and says he’s in shape. Old hat. I was the onliest boxer in history people asked questions like a senator.”
Sometimes there was even a touch of humility:
There are no pleasures in a fight, but some of my fights have been a pleasure to win.”

The Rumble in the Jungle, 1974


Float like a butterfly sting like a bee – his hands can’t hit what his eyes can’t see.”
And in an equally famous boast:

I done something new for this fight. I wrestled with an alligator. I tussled with a whale. I handcuffed lightning, I thrown thunder in jail. Only last week I murdered a rock, injured a stone, hospitalised a brick. I’m so mean I make medicine sick.”
Champions aren’t made in the gyms. Champions are made from something they have deep inside them: a desire, a dream, a vision. They have to have last-minute stamina, they have to be a little faster, they have to have the skill and the will. But the will must be stronger than the skill.”
I’m so fast that last night I turned off the light switch in my hotel room and got into bed before the room was dark.”

The Thrilla in Manilla, 1975


I saw your wife. You’re not as dumb as you look.”
Better remembered, perhaps, is this line:

It will be a killer and a chiller and a thriller, when I get the gorilla in Manila.”

Draft dodging

Ali also strayed into the political arena after refusing to serve in the US army during the Vietnam war. His explanation?

I ain’t got no quarrel with them Vietcong”
Of the US government’s attempts to jail him for draft-dodging, he said:

They did what they thought was right, and I did what I thought was right.”
And after being convicted of draft-dodging in 1970, in one of his most famous lines, he said:
I am America. I am the part you won’t recognise. But get used to me. Black, confident, cocky, my name not yours. My religion, not yours; my goals, my own; get used to me.”

Race

Many of his comments referred explicitly to race and the treatment of black people in the US:

I know I got it made while the masses of black people are catchin’ hell, but as long as they ain’t free, I ain’t free.”

Boxing is a lot of white men watching two black men beat each other up.”

I may not talk perfect white talk-type English, but I give you wisdom.”

Name change, 1964


Cassius Clay is a slave name. I didn’t choose it and I don’t want it. I am Muhammad Ali, a free name – it means beloved of God, and I insist people use it when people speak to me and of me.”

Later in life

He maintained his sharp tongue despite the toll that boxing had taken on his body:

People say I talk so slow today. That’s no surprise. I calculated I’ve taken 29,000 punches. But I earned $57m and I saved half of it. So I took a few hard knocks. Do you know how many black men are killed every year by guns and knives without a penny to their names? I may talk slow, but my mind is OK.”

What I suffered physically was worth what I’ve accomplished in life. A man who is not courageous enough to take risks will never accomplish anything in life.”

A man who views the world the same at 50 as he did at 20 has wasted 30 years of his life.”

Last words


I’m not afraid of dying. I have faith; I do everything I can to live my life right; and I believe that dying will bring me closer to God.”

Live every day like it’s your last, because someday you’re going to be right.”

https://www.theguardian.com/sport/2016/jun/04/muhammad-ali-greatest-quotes-sting-butterfly-louisville-lip